Having recently written an article for the popular web-platform Archinect, I’ve been reconnected to an area of interest in architecture that I've left largely untouched for the last few years: that of architectural criticism. This interest for me was then, as it is now, largely concerned with the how such works should be derived – favouring, personally, a method that communicates buildings more as something we experience in daily life and less of something that is objectively rendered on the page.