In my last article I reconnected with an area of enduring interest for me: the representation of the “distracted” experience of architecture. This topic is an attempt to capture the prevailing reality of our interaction with the built environment. One that is defined not by the attentive interest it typically receives through conventional representation (often examined through expository writing, photography or drawing) but rather by the opposite state of attention: one that guides the peripheral and often unconscious interaction it receives in everyday life (here defined as “distraction”).